Soap operas move to be a necessary resource to cover the grill programmatic channels, so many songs cantonese popular came to be transformed into songs themes of these.Around 1971, Sandra Lang, a singer, a high school that had never played cantopop, was invited to interpret the first central theme cantonese TV titled The Yuanfen of a wedding that cries and laughs (in chinese, 啼笑姻緣) this topic was a collaboration between songwriters Yip Siu-dak (in chinese, 葉紹德) and the legendary Joseph Koo, becoming a song, a pioneer who reached the top of the popularity lists other groups that benefited from the promotion’s television include Four Golden Flowers (in chinese, 四朵金花). Television was the new technological marvel, which is available mainly for the classes wealthy, there is a high valuation and respect for the content performed in vivo. Some singers remarkable of this era include Liza Wang and Paula Tsui.
PIXELTOY WINNIE SERIES
Two types of music cantonese local appear in the market nearly concurrently in 1973: the first guy pulled out of the popularity gained by the dramatic series of the first commercial television station wireless in Hong Kong, TVB, based primarily on a lyrical style traditional the other type had a musical style more westernized, with the support of Polydor Records Hong Kong, a subsidiary of PolyGram, starting in 1978. The previous decade laid the groundwork for the creation of the new pop music in hong kong in effect, various bands begin to imitate groups in british and american. Seventies: the appearance of the tv and the industry moderna The western culture was at that time that is comparable with the education and sophistication present in Hong Kong, being popular Elvis, Johnny Mathis and The Beatles.Ĭonversely, it was considered as old-fashioned or low educational level of those who preferred the music cantonese in particular, Cheng Kum-cheung and Chan Chai-chung (in chinese, 陳齊頌) were two of the popular singers of the music where the segment specific objective was to the younger generation, although Connie Chan Po-chu is generally considered as the first celebrity youth of Hong Kong, mainly due to his extensive career Josephine Siao is also another artist of the era. The baby boomer generation that era preferred the music of british and american imported, as well as to the music in mandarin. In the sixties, the music of cantonese in Hong Kong is still limited largely to the cantonese opera traditional and interpretation ―something funny― western music in this context, Tang Kee-chan (in chinese, 鄧寄塵), Cheng Kuan-min (chinese, 鄭君綿), and Tam Ping-man (in chinese, 譚炳文) are going to be the first artist to release discs in cantonese. At the beginning of the fifties, large waves of immigrants from Shanghai is set in the area called “The North end” (in chinese, 北角) of Hong Kong, having as a result, the appearance of the first generation of artists and acclaimed composers of cantopop.
In 1949, when the people’s Republic of China is established by the communist party, one of the first actions undertaken by the government was to denounce pop music as pornography. The influence of western musical arrives for the first time in China in the twenties, and more specifically to Shanghai.Artists like Zhou Xuan (chinese, 周璇) or Yao Ming (chinese, 姚敏) acting in various films and recorded several popular songs, becoming probably the first stars of the pop music of china. 1990s: The era of The Four Heavenly Kings.Eighties: the beginning of the golden age.Seventies: the appearance of the tv and the industry moderna.
0 kommentar(er)
